Tuesday, October 15, 2013

Days of Gray: Reykjavik Review




The Bottom Line


Promising debut offers an enviable vehicle for the music of Icelandic band Hjaltalin.




Venue


Reykjavik International Film Festival, Icelandic Panorama


Cast


David Laufdal Arnarsson, Dilja Valsdottir, Viktoria Ros Antonsdottir, Gudmundur Ingi Thorvaldsson, Bryndis Petra Bragadottir, Margret Helga Johanssdottir


Director-Screenwriter


Ani Simon-Kennedy




REYKJAVIK — Envisioning a post-civilization existence in the primordial landscapes of Iceland, Ani Simon-Kennedy's Days of Gray makes the most not just of an untouched setting but of Hjaltalin, a local band yet to be discovered by American fans who've made successes of Icelandic groups like Sigur Ros and Mum. The entirely dialogue-free project, first imagined as a long-form music video for the band, grew into a standalone narrative during preproduction; while its fable-like simplicity makes it a specialty item in commercial terms, it represents an assured debut that should attract attention on the fest circuit and could connect with musical tastemakers.



In this far-future scenario, both spoken and written language have been abandoned. Families live in isolation from each other, seemingly communicating via cryptic pictures viewed on magic-lantern slides. It's left to the audience to imagine events that might cause humanity to give up words, but such conditions certainly suit the emotional atmospherics of Hjaltalin, whose excellent all-instrumental score gives emotional support to the child actors carrying the film.


Centering on one family whose son (David Laufdal Arnarsson) is approaching adolescence, the plot is essentially a coming-of-age tale in which he must overcome his community's rejection of the outside world: As if in superstitious imitation of earlier generations who endured a pandemic, the family wears clearly useless breathing masks whenever they go outside; they shun strangers; and they destroy the artifacts from the past he unearths when scouting the countryside.


Contrast this with the girl he meets (Dilja Valstoddir), a wild-haired creature who lives in a cave and hoards circuit boards and plastic fragments that, in this earth-toned environment, scream with man-made color. Keeping their friendship secret, he goes off to meet her and silently mimics what seem to be yoga exercises but later prove to have a very practical purpose.


With cinematographer Cailin Yatsko, Simon-Kennedy makes the most of the landscape's alien, out-of-time qualities. (Both filmmakers are New Yorkers who'd never been to Iceland before discovering Hjaltalin's music.) The cobbled-together aesthetic of Nell Tivnan's production design sits in between sci-fi and a post-disaster survival film, but the picture's heart isn't in fleshing out its sketchily imagined world's rules. Rather, it identifies strongly with a hero looking to transcend them.


Production Company: Bicephaly Pictures


Cast: David Laufdal Arnarsson, Dilja Valsdottir, Viktoria Ros Antonsdottir, Gudmundur Ingi Thorvaldsson, Bryndis Petra Bragadottir, Margret Helga Johanssdottir


Director-Screenwriter: Ani Simon-Kennedy


Producers: Alice Bloch, Ani Simon-Kennedy, Cailin Yatsko


Executive producers: Kjartan Thor Thordarson, Kristinn Thordarson


Director of photography: Cailin Yatsko


Production designer: Nell Tivnan


Music: Hjaltalin


Costume designer: Christian Kjaerulf Praksti


Editor: Perry Blackshear


No rating, 79 minutes


Source: http://feedproxy.google.com/~r/thr/reviews/film/~3/B4uPicbJBs8/days-gray-reykjavik-review-648527
Similar Articles: pittsburgh pirates   Paula Patton   cher   vince young   Nintendo 2DS  

Trouble's brewing in Android land



The Android OS dominates the mobile landscape, outselling all rivals combined in most countries. The only serious challenger, Apple's iOS, earns much more money for Apple than Android earns for Google and all its hardware partners combined, but when it comes to market share, Android is king. So why does the Android ecosystem appear to be troubled?


HTC is in disarray, as its Android sales struggle in the face of the dominant Samsung, which is the only Android device maker to profit from Android. Google's Nexus devices have so-so sales, perhaps because they tend to be middle-of-the-road devices that don't inspire large populations the way Samsung and Apple do. Ditto for its Motorola Mobility unit. In fact, Google seems to have backed off on Android, focusing instead on Chrome OS and its array of data-mining services, which is where the company actually makes its money.


[ InfoWorld picks the best office apps for Android. | Keep up on key mobile developments and insights via Twitter and with the Mobilize newsletter. ]


Then there's Samsung, which sells by far the most Android devices and makes real money from them. Yet it apparently has stolen secret Apple information in defiance of the courts, cheats on industry benchmarks, and abuses the patent system to undermine Apple, a key customer if also a key competitor. It also stoops to announcing all-but-nonexistent products, such as the curved-glass Samsung Round last week, a pathetic attempt to pretend to be first. (HTC plans a similar product, so Samsung cobbled together a prototype that may never actually reach the market.) Such actions reek of desperation, not success.


What's going on in Android land is a series of sometimes unrelated events that intertwine in ways that aren't good for Android's future.


HTC's desperation to matter again
For example, HTC's troubles are not so much about Android but about not delivering compelling products regularly. HTC was the first company to offer a compelling Android device, the Droid Eris, in 2009, then all but disappeared in terms of innovation for the next three years. Its products were run-of-the-mill, inspiring little passion. And users have complained for years that HTC smartphones tend to break after a year of operation. Although this year's HTC One is a stylish smartphone that's a personal favorite of mine, it has done little to make HTC a leader in the Android market.


As a result, the company is in chaos, according to news reports. It's losing money, has laid off employees, and may need to get an infusion of cash from another company, ending its independence.


Samsung's misguided and perhaps unethical strategy
Samsung holds the leadership role in Android, thanks to strong efforts in 2011 and 2012 to make innovative, compelling products, such as the Galaxy Note series of smartphones, the Note series of tablets, and the very nice Galaxy S III. This year's Galaxy S 4 may have jumped the shark, despite its improved physical design, because of its mishmash of partially completed software, but Samsung still has plenty of momentum from those earlier products in buyers' minds.


Source: http://akamai.infoworld.com/d/mobile-technology/troubles-brewing-in-android-land-228603?source=rss_mobile_technology
Similar Articles: Dylan Penn   lea michele  

Brotherhood of Tears (La Confrerie des larmes): Film Review




The Bottom Line


A somewhat diverting genre exercise that loses it in the final reels.




Opens


Wednesday, Oct. 9 (in France)


Director


Jean-Baptiste Andrea


Cast


Jeremie Renier, Audrey Fleurot, Melusine Mayance, Bouli Lanners




PARIS – “Whatever you do, don’t open the briefcase” are the ominously cliched instructions guiding the protagonist -- and much of the plot -- of the high-concept French thriller Brotherhood of Tears (La Confrerie des larmes). Yet while filmmaker Jean-Baptiste Andrea is hardly treading new ground in this classic good guy-wrong place scenario, he manages to keep things relatively engaging, tossing out lots of twists and red herrings until things fly off the rails during an inevitably silly third-act reveal. Francophone slots and VOD action await this mid-sized European co-production, with possible overseas interest among genre specialists.



Despite what many will consider a bogus and only-in-France kind of conclusion, the director and co-writer Gael Malry smartly keep their MacGuffin under wraps until way late in the game, focusing mostly on the tribulations of former Paris detective Chevalier (Jeremie Renier), whose mounting gambling debts and failure to hold down a job send him on nightly fits of binge drinking. He’s also got a pesky tweenage daughter (Melusine Mayance) who gives him hell for being such a deadbeat dad, even if his mess of a life is shown to be less the result of choice than of circumstance.


PHOTOS: The 21 Best Movies About Whistleblowers


Just when it looks like Chevalier is headed straight for the gutter, an opportunity pops up in the form of an anonymous, extremely well-paid job which, at least at first, consists of merely sitting for 8 hours a day in an empty office. Thrilled to be cashing in on such an easy gig, the ex-cop goes on shopping sprees, buys a Porsche and gets a makeover -- behavior that seems all-too naive for someone who’s clearly been through the ringer many times.


Finally the real work begins when Chevalier is asked to deliver a set of mysterious briefcases to various clients across the globe. The only rule: never, ever open them. Yet anyone who’s seen films like Robert Aldrich’s Kiss Me Deadly or even Quentin Tarantino’s Pulp Fiction knows that the temptation is always too strong, and as Chevalier grows increasingly nosy about his employment, the bodies start piling up around him until things eventually come to a head in ways that are both surprising and downright ridiculous.


For at least the first hour, Andrea -- who directed the 2006 David Schwimmer-Simon Pegg starrer Big Nothing -- reveals a certain knack for building suspense out of a few basic elements, as cheesy as some of them may be. And as long as the guessing game is on, Brotherhood of Tears provides some light thrills despite much heavy-handedness, especially in scenes involving Chevalier and his daughter, not to mention the budding romance he has with a cop (Audrey Fleurot) who happens to be his biggest fan.


It’s like an Alfred Hitchcock movie with neither the penetrating humor nor the formidable craft, which basically leaves a plot that works up to a certain point and a main character who tends to feel more like a cog in the machine than a real person -- even if Dardennes brothers regular Renier (The Kid with a Bike) deserves points for a cagey performance that never discredits the material.


Budgeted at €7M ($9.5M), the film makes fine use of its multiple locations, hopping around between Turkey, Belgium and France, with DP Jean-Pierre Sauvaire (Taxi) giving the action a gritty and handheld sheen. A busy score by Laurent Perez del Mar (Zarafa) takes its cues from John Powell’s theme for The Bourne Identity, although Brotherhood is far from that kind of franchise and more like a mildly entertaining one-off whose staying power lasts as long as the end credits.


 


Opens: Wednesday, Oct. 9 (in France)


Production companies: Full House, Red Lion, Saga City, D8 Films, uFilm


Cast: Jeremie Renier, Audrey Fleurot, Melusine Mayance, Bouli Lanners


Director: Jean-Baptiste Andrea


Screenwriters: Jean-Baptiste Andrea, Gael Malry


Producers: Laurent Baudens, Didar Domehri, Gael Nouaille


Director of photography: Jean-Pierre Sauvaire


Production designer: Christina Schaffer


Costume designer: Nathalie Leborgne


Music: Laurent Perez del Mar


Editor: Antoine Vareille


Sales agent: Films Distribution


No rating, 99 minutes  


Source: http://feedproxy.google.com/~r/thr/film/~3/u-RyM0b7xXM/story01.htm
Category: Teyana Taylor   Colin Kaepernick   Kendra Spears   Pretty Little Liars   Betty Pino  

Alibaba to transform China's 'e-conomy' with $500 billion marketplace


By Paul Carsten


HANGZHOU, China (Reuters) - Alibaba Group's plans to revolutionize China's retail industry, investing $16 billion in logistics and support by 2020, will open up China's vast interior and bring access to hundreds of millions of potential new customers.


With an extra $15 billion or so in its pocket from a likely IPO, Alibaba and partners such as delivery service firms and life insurers will pump cash into revamping China's fragile supply chains and big new data centers to process reams of consumer information.


While Alibaba sees itself as a catalyst for change, its plans also lay the groundwork for retail rivals to chip away at its business further down the line. By encouraging retailers to be more Internet-savvy, and by building the networks to distribute goods nationwide, Alibaba is showing bricks and mortar rivals how to grow online without depending on its sites.


Companies such as GOME Electrical Appliances, Haier Electronics Group Co and Chow Tai Fook Jewellery Group have branched into e-commerce, riding Alibaba's coattails and reaping the rewards with their own online stalls on Alibaba's websites.


CEO Jonathan Lu says Alibaba expects to nearly triple the volume of transactions on its marketplaces to about 3 trillion yuan ($490 billion) by 2016, overtaking Wal-Mart Stores Inc as the world's biggest retail network.


And the message to retailers from the group's sprawling campus headquarters in Hangzhou, less than an hour's train ride southwest of Shanghai, is simple: adapt or die.


"The old companies that aren't willing to transform will be wiped out by competition," said Zeng Ming, Alibaba's chief strategy officer. "Most traditional retailers now understand if they don't move online, their time is limited."


Analysts predict e-commerce will account for a fifth of total retail sales in China within 5 years, up from just 6 percent last year.


"The pot is huge and most retail growth, and the fastest growth, is going to be in e-commerce," said Boaz Rottenberg, managing director of China-based market researcher Maverick China. "If you look at all consumer spending, a big chunk is online. It's disproportionate compared to other countries."


NEXT LEVEL


As China's economy slows from years of double-digit growth, and where government policies have failed, Alibaba aims to level out an uneven distribution of wealth, where rural villagers have few opportunities and small businesses struggle to get loans.


Using data to gauge supply and demand, Alibaba plans to pinpoint where to invest resources, such as new warehouses, and how best to shift the goods traded on its online marketplaces Taobao and Tmall - think e-Bay and Amazon.com - which accounted for 3 billion of the 5.69 billion parcels moved around China last year.


With its logistics and data firepower, Alibaba aims to deliver products faster and to more people than anyone else. It is also creating a network of financial services to facilitate online commerce, through which buyers can pay for their purchases, and companies and individuals can take out loans.


"Alibaba is responsible for making the e-commerce market as big as it is. By building logistics and support systems around it, it's a way of transforming the entire retail industry and taking it to the next level," said Gartner analyst Praveen Sengar.


Alibaba, which was founded in 1999 and has grown from a small business-to-business site, is uniquely positioned to do this. Jack Ma, the group's billionaire founder and former CEO, has the ear of China's ruling Communist Party, and met Premier Li Keqiang over two days last year to discuss the future of Chinese private enterprise.


Ma's group has fought off foreign rivals to dominate China's e-commerce sector, and now controls over three-quarters of a market that is forecast to grow at 32 percent a year up to 2015, according to Bain & Co. With less than half the population online, there is huge growth potential. Traditional and Internet retailers have struggled to reach China's vast hinterlands where infrastructure is poor and Internet penetration is just 28 percent.


"We are creating for the first time a truly nationwide, cross-territory single market across China. We are liberating its consumption power," says Alibaba Vice President Brian Li.


RISKS


Other retailers are alive to the opportunities.


Haier's e-commerce revenue jumped almost six-fold to 633 million yuan ($103.4 million), or 2 percent of total revenue, in the first half of this year, while Suning Commerce Group's e-commerce business doubled to 10.6 billion yuan over the same period. GOME's online revenue now accounts for 5-6 percent of its total first half revenue of 27 billion yuan.


"Consumers will start to demand better customer experience, and both market places and branded websites will have to respond to differentiate from the competition," said Andrew Stockwell, vice president of Asia Pacific at Forrester. "Brands, especially for luxury and high-profit margin products, would prefer to have customers transact with them on their own websites."


Businesses bypassing Alibaba's services would take more of the profits on transactions, own customer data and control the overall customer experience.


GOME sees Alibaba's plans improving logistics for both traditional retailers and e-commerce firms. "The essential thing about retail is the supply chain. That and logistics networks take years to build, and we have built them for 20 years," said Helen Song, a spokesperson. "The pressure on GOME is not from e-commerce, it's from the fact that we didn't do our own thing well enough."


And Alibaba isn't the only e-commerce company investing in logistics and data.


JD.com, or Jingdong, holds a near one-fifth share of China's business-to-consumer market, and its courier services allow it to distribute its high-value products to customers in big cities within 24 hours - giving it an edge over Alibaba, which sells mainly lower-cost items, said Forrester's Bryan Wang.


"(Alibaba's plan) is nice, eye-catching, grand stuff, but Jingdong can offer 24-hour delivery for many cities now. Do they really need 24-hour delivery to the middle of nowhere?" he said. Instead, Alibaba's efforts may be about much-needed improvements to customer experience as it comes under pressure from Jingdong and others. "Alibaba is already at its peak," Wang said.


BIG DATA


To expand its own e-commerce business, Alibaba recognizes it has to do more than just e-commerce.


Through its range of products, customers can pay for online purchases and invest their savings in funds through AliPay; businesses can get loans, and companies and local governments can store data on Alibaba's cloud computing services. It also has an online shopping search engine, a mobile operating system, Internet TV set-top boxes, a digital mapping service, and an 18 percent stake in Sina Weibo, China's most popular micro-blogging service.


The data from these businesses is crucial to Alibaba.


Alibaba has three data centers in China, and in a single day can process more than 1 petabyte of data - three times what it takes to store the entire U.S. population's DNA.


"There's great value in pulling together data about users," says Alibaba's Zeng. "We have a unique understanding of how to leverage the power of technology to really push economic transformation in China."


($1 = 6.1220 Chinese yuan)


(Additional reporting by Beijing Newsroom; Editing by Ian Geoghegan)



Source: http://news.yahoo.com/alibaba-transform-chinas-e-conomy-500-billion-marketplace-210046956--sector.html
Similar Articles: Cressida Bonas   new england patriots   9news   sons of anarchy   ariana grande  

List of NPC's


RolePlayGateway is proudly powered by obscene amounts of caffeine, duct tape, and support from people like you. It operates under a "don't like it, suggest an improvement" platform, and we gladly take suggestions for improvements or changes.

The custom-built "roleplay" system was designed and implemented by Eric Martindale as of July 2009. All attempts to replicate or otherwise emulate this system and its method of organizing roleplay are strictly prohibited without his express written and contractual permission; violators will be prosecuted to the fullest extent of the law.

© RolePlayGateway, LLC | with the support of LocalSense


Source: http://feedproxy.google.com/~r/RolePlayGateway/~3/CE20Fqs3zZU/viewtopic.php
Related Topics: alabama football   julio jones   Shannon Sharpe   National Cheeseburger Day   Jared Remy  

Monday, October 14, 2013

APNewsBreak: Son of slain Sikh to challenge Ryan

In this Thursday, Oct. 10, 2013 photo, film director and producer Amardeep Kaleka poses for a photo in Los Angeles. Kaleka, whose father Satwant Singh Kaleka, the president of the Sikh Temple of Wisconsin, was slain at the Oak Creek temple shooting in Milwaukee suburb in 2012, plans to challenge Rep. Paul Ryan in next year's congressional election. Kaleka says he'll file paperwork Oct. 16 to form an exploratory congressional committee. The 35-year-old Democrat plans to announce his candidacy formally next month. (AP Photo/Damian Dovarganes)







In this Thursday, Oct. 10, 2013 photo, film director and producer Amardeep Kaleka poses for a photo in Los Angeles. Kaleka, whose father Satwant Singh Kaleka, the president of the Sikh Temple of Wisconsin, was slain at the Oak Creek temple shooting in Milwaukee suburb in 2012, plans to challenge Rep. Paul Ryan in next year's congressional election. Kaleka says he'll file paperwork Oct. 16 to form an exploratory congressional committee. The 35-year-old Democrat plans to announce his candidacy formally next month. (AP Photo/Damian Dovarganes)







In this Thursday, Oct. 10, 2013 photo, film director and producer Amardeep Kaleka poses for a photo in Los Angeles. Kaleka, whose father Satwant Singh Kaleka, the president of the Sikh Temple of Wisconsin, was slain at the Oak Creek temple shooting in Milwaukee suburb in 2012, plans to challenge Rep. Paul Ryan in next year's congressional election. Kaleka says he'll file paperwork Oct. 16 to form an exploratory congressional committee. The 35-year-old Democrat plans to announce his candidacy formally next month. (AP Photo/Damian Dovarganes)







In this Thursday, Oct. 10, 2013 photo, film director and producer Amardeep Kaleka speaks in Los Angeles. Kaleka, whose father Satwant Singh Kaleka, the president of the Sikh Temple of Wisconsin, was slain at the Oak Creek temple shooting in Milwaukee suburb in 2012, plans to challenge Rep. Paul Ryan in next year's congressional election. Kaleka says he'll file paperwork Oct. 16 to form an exploratory congressional committee. The 35-year-old Democrat plans to announce his candidacy formally next month. (AP Photo/Damian Dovarganes)







In this Thursday, Oct. 10, 2013 photo, film director and producer Amardeep Kaleka poses for a photo at Neverending Light, his Emmy Award winning film and television production company in Los Angeles. Kaleka, whose father Satwant Singh Kaleka, the president of the Sikh Temple of Wisconsin, was slain at the Oak Creek temple shooting in Milwaukee suburb in 2012, plans to challenge Rep. Paul Ryan in next year's congressional election. Kaleka says he'll file paperwork Wednesday to form an exploratory congressional committee. The 35-year-old Democrat plans to announce his candidacy formally next month. (AP Photo/Damian Dovarganes)







In this Thursday, Oct. 10, 2013 photo, film director and producer Amardeep Kaleka poses for with a photo of his family in Los Angeles. Kaleka, whose father Satwant Singh Kaleka, the president of the Sikh Temple of Wisconsin, was slain at the Oak Creek temple shooting in Milwaukee suburb in 2012, plans to challenge Rep. Paul Ryan in next year's congressional election. Kaleka says he'll file paperwork Oct. 16 to form an exploratory congressional committee. The 35-year-old Democrat plans to announce his candidacy formally next month. (AP Photo/Damian Dovarganes)







MILWAUKEE (AP) — The son of a slain Sikh temple president plans to challenge U.S. Rep. Paul Ryan in next year's congressional election, in a Wisconsin district where support for the 2012 Republican vice presidential nominee has been strong but slipping.

Amar Kaleka, 35, told The Associated Press he'll file paperwork Wednesday to form an exploratory congressional committee. He plans to formally announce his candidacy as a Democrat next month.

Kaleka said he wants to bring accountability and transparency back to Washington. He blamed the government shutdown on Ryan, who's the House Budget Committee chairman, and his GOP colleagues. He said citizens are tired of career politicians who care more about staying in power than serving the people.

"There's a fever in the nation, and specifically in this district, for our leaders to stop playing politics and do their jobs," Kaleka said. "All I want to do is bring democracy — a government of, for and by the people — back to America."

Kaleka's father, Satwant Singh Kaleka, was a small-business owner who founded the Sikh Temple of Wisconsin in suburban Milwaukee. On Aug. 5, 2012, a white supremacist walked into the temple and opened fire, killing Kaleka and five others before taking his own life. The FBI was unable to determine a motive.

That was a turning point for Amar Kaleka, who grew up in Milwaukee and has been making documentaries in southern California for the past four years. He won an Emmy for his 2010 direction of Jacob's Turn, about a 4-year-old boy with Down syndrome who joins his first T-ball team.

He said he used to dream of running for public office when he was in his 50s or 60s but decided to seek office sooner following his father's homicide.

Sympathy and cash donations poured in from around the globe following the Sikh temple shootings, and several federal officials expressed their condolences. First lady Michelle Obama visited the temple to comfort the families and Attorney General Eric Holder spoke at the funeral.

But President Barack Obama, who has visited sites of other mass shootings, never came. His absence bothered Kaleka, an Obama supporter who hoped the president's presence would help advance the cause of stronger gun regulation.

Kaleka suspected that Obama stayed away to sidestep a controversial issue during an election year. To Kaleka, that meant the president was putting politics before people — a trend he saw repeated by other lawmakers every time he visited Washington, D.C.

He cites polls showing that 90 percent of Americans favored stronger background checks for gun buyers, yet even then Congress failed to act. That disgusted him.

"They're more concerned with the groups, the corporations that are giving them money than with what the people want," he said.

Kaleka knows he'd be taking on a formidable candidate. Ryan has so much political clout that he raised $1.7 million in the first six months of the year, nearly three times more than any other member of Wisconsin's congressional delegation.

Kaleka hopes to counter in part by tapping into the wealthy Indian and Arabic communities that he said encouraged him to run in the first place. If he can demonstrate his fundraising chops he expects the national Democratic Party, which he said supports his candidacy, to step in with another $1 million to $2 million.

Ryan, an eight-term congressman, has been popular in his district that covers the southeastern corner of the state. But his support declined last year.

He won every congressional race since 2000 with at least 63 percent of the vote, including 68 percent in 2010. But last year, after he gained prominence for drawing up an austere budget blueprint that would reshape Medicare, his support dropped to a career-low 55 percent. However, that year he had to balance his congressional campaign with his vice presidential run.

A message left with Ryan's congressional office Monday was not immediately returned.

Ryan's opponent last year was Rob Zerban, a former Kenosha Board supervisor. Zerban has formed another exploratory committee this year but hasn't said whether he'll take another run at Ryan.

The death of Kaleka's father — and the way he died — continue to weigh on Kaleka. He said he's running in his father's memory, but he wants people to vote for him not out of sympathy but because of his position on the issues.

"I'll agree my father's death has put me in a position where people listen to me more. But it's not that I'm taking advantage of that situation," he said. "I'm trying to further his dream of building the community and leading in a way that's very democratic. That's what drives me."

___

Dinesh Ramde can be reached at dramde@ap.org.

Associated PressSource: http://hosted2.ap.org/APDEFAULT/89ae8247abe8493fae24405546e9a1aa/Article_2013-10-14-Congress-Ryan%20Challenger/id-dbb9f8da4b1f47b7bc74fc4f5f21a4d5
Related Topics: Donatella Versace   new england patriots  

Saturday, October 12, 2013

Half of a Yellow Sun: London Review




The Bottom Line


An earnest period piece set in 1960s Africa.




Venue


London Film Festival


Cast


Thandie Newton, Chiwetel Ejiofor, Anika Noni Rose, Joseph Mawle, John Boyega


Director-screenwriter


Biyi Bandele, based on the novel by Chimamanda Ngozi Adichie




Half of a Yellow Sun is the kind of ambitious literary adaptation that wants it all kinds of ways, not all of them compatible. On the one hand, it offers a bluffer’s guide to the Nigerian civil war that briefly created the Republic of Biafra between 1967 and 1970, and on the other, a chance to see Thandie Newton wearing lovely period shifts, occasionally accessorized with colorful indigenous-patterned scarves. The long stretches where characters debate Marxist doctrine lie uneasily next to its soap-opera style shenanigans where women weep over faithless men, sisters fall out with each other, mothers-in-law meddle, and heavy artillery disrupts a picturesque wedding, although admittedly that last bit is one of the film’s best scenes.



Granted, the intersection of the personal with the political is the key point of Nigerian author Chimamanda Ngozi Adichie’s well-received source novel, but first-time writer-director Biyi Bandele hasn’t managed to sand down the joins quite finely enough.


Politely but not especially enthusiastically received in Toronto, Yellow Sun will continue to attract festival programmers drawn to its exotic African setting, epic-on-a-budget production values, and name cast (especially Chiwetel Ejiofor, currently packing serious awards heat for 12 Years a Slave). However, the film will need imaginative marketing by potential distributors to maximize its assets and tap potential niches in select territories.


Readers who were impressed by the novel’s inventive shuffling of different time periods might be the folk most critical of the way Bandele’s script reorders the story into an accessible but banal chronological trudge, starting in 1960 and ending with the resolution of the war in 1970. Likewise, where the book refracted the action through the eyes of very different characters, including an Englishman and a servant boy, there’s never any doubt that the film is mostly interested in the ups and downs of Olanna (Newton). She’s a soigné rich girl from one of Lagos’ wealthiest families who chooses to defy familial expectations and convention not only by becoming a sociology professor herself, but also by shacking up with firebrand academic Odenigbo (Ejiofor) in college town Nsukka.


Although Olanna and Odenigbo share a passion for undoing the shackles of Nigeria’s colonial legacy and each other’s clothes, things get rocky when Odenigbo’s battleaxe mother (Onyeka Onwenu) comes to visit. An uneducated village woman with a nasty, scheming streak, Mama is determined to split up the cerebral love birds up any way she can, and nearly succeeds.


Meanwhile, a B-plot follows, with considerably less commitment, the relationship between Olanna’s more pragmatic but equally beautiful twin sister Kainene (an underused Anika Noni Rose, best known for her theater work and the film version of Dreamgirls) and white English novelist manqué Richard (Joseph Mawle, from Abraham Lincoln Vampire Hunter). Off to the side, literally, Odenigbo’s manservant Ugwu (John Boyega, Attack the Block) observes the romantic pushing and shoving from a bemused distance. Unlike the book where his point-of-view has near equal weight with Olanna and Odenigbo, he has relatively little to do here apart from fretting over how to cook jollof rice properly and later getting into danger.


Inevitably, given how much information has to be relayed for the benefit of viewers unfamiliar with recent Nigerian history and the complexities of inter-tribal relations, the script is studded with great leaden lumps of expository dialogue, while garlands of black-and-white newsreel footage further drape the backstory. The effect is curiously old-fashioned, an impression enhanced by the use of graphical maps to show how the characters are shifting about the country from one city to another.


Bandele, a Nigerian native who has worked mainly in theater hitherto, has a surer touch in creating atmosphere in the domestic scenes, evoking a strong sense of how these people live their lives day-to-day, and how devastated they are when war and all its atrocities rip that fabric apart. Indeed, the big action scenes are appropriately shocking, energetic and wallop packing. Throughout, the period details are consistently on the money, from the clingy European cut of the wealthy women’s dresses to the background music, the latter a pleasing mix of Afro pop from the likes of Miriam Makeba and American ditties like “Santa Baby” by Eartha Kitt.


The young director’s touch is a little less assured with the actors, who are fine but not at their very best here. Newton gives good hysteria, but her Olanna occasionally grates with her princessy airs and isn’t always entirely sympathetic. In some ways the best work is to be found in the supports, especially Mawle as the guilt-ridden outsider, Rose as the sharp-tongued Kainene, and Onwenu as the fabulously hissable Mama.


Venue: London Film Festival (Dare), Oct. 10, 2013


Production companies: A Slate Films production in association with Ealing Metro International., Lipsync Prods., Kachifo.


Cast: Thandie Newton, Chiwetel Ejiofor, Anika Noni Rose, Joseph Mawle, John Boyega
Director: Biyi Bandele
Screenwriter: Biyi Bandele, based on the novel by Chimamanda Ngozi Adichie
Producers: Andrea Calderwood
Executive producers: Yewande Sadiku, Muhtar Bakare, Gail Egan, Norman Merry, Peter Hampden
Director of photography: John De Borman
Production designer: Andrew McAlpine
Music: Ben Onono, Paul Thomson
Costume designer: Jo Katsaras
Editor: Chris Gill
Sales: Metro International Entertainment
No rating, 106 minutes.


Source: http://feedproxy.google.com/~r/thr/reviews/film/~3/Lgr-TXgfq88/a-yellow-sun-london-review-647828
Similar Articles: freedom tower   beyonce   Solheim Cup 2013   Huntington Beach riot   British Open leaderboard